background
Letter
д

Danylo Halytskyi

image description
06/33
[de]

The only king in the history of Ukraine. Thanks to his title, he managed to enhance the authority of the Ukrainian state and facilitated its integration into the European community.

1201–1264

Danylo Halytskyi
д
[de]
06/33

Fonts:

Almaz (Bold)

Designers:

Serhii Makarenko(Tapeface designer)
Kyrylo Tkachov

Danylo Halytskyi rebuilt and developed the Principality of Galicia–Volhynia, established by his father. He managed to unite a significant part of the ethnic Ukrainian lands under his rule, including the Principality of Kyiv and founded the cities of Chelm and Lviv. Danylo Halytskyi invited artisans and merchants from Poland, Germany, and other lands of Rus’ to settle there, and they worked for the benefit of the state under his patronage. 

Through the city of Dorohochyn, also rebuilt by Danylo, local merchants had access to one of the largest trading centres of that time — the Polish city of Torun.

To protect the Principality more effectively, he took care of fortifying old cities and constructing new-type fortresses (they were situated on hills with stone walls). During his rule, a reorganization of the Ukrainian army also occurred: infantry units were formed, and the cavalry was reequipped, focusing on heavy weaponry.

Group 8350.png

The main challenge for Danylo Halytskyi was the bloodthirsty Mongolian Golden Horde, which demanded tribute and military support from the Principality for their own campaigns.

Hoping for support and protection, Danylo accepted an offer of coronation from Pope Innocent IV in 1253. Unfortunately, the crown did not help to overcome the Golden Horde, but it did elevate his status to that of other crowned European rulers and left a mark in history.

Thanks to Danylo, the Principality of Galicia–Volhynia not only upheld the traditions of Ukrainian statehood but also solidified its further European-oriented development in its policies.

Another legacy of King Danylo is the blue and yellow colors for the national flag. The first use of such colors can be traced back to the coat of arms of the Principality of Galicia–Volhynia.

In Ukrainian history, Danylo Halytskyi will always stand side by side with distinguished representatives of his dynasty — Volodymyr the Great, Yaroslav the Wise, and Volodymyr Monomakh — but he will remain the only recognized king among princes.

Post author:
Olena Ihnatenko

Fonts:

Almaz (Bold)

Details:

Danylo Halytskyi

Designers:

Serhii Makarenko
(Tapeface designer)
Kyrylo Tkachov

About font:

-139, 190177, 240649, 190-139, 19010, 240649, 190
And also — 33 fonts by modern Ukrainian designers.

Next letter and event

Danylo Halytskyi

Share
this project
in social
[shcha]30

“Shchedryk” (The Little Swallow)

[shcha]30
image description
[ka]15

Crimean Tatars, Karaites and Krymchaks (qırımlılar, qaraylar)

[ka]15
image description
[ve]03

Volia — collective concept, most often translated as Freedom

[ve]03
image description
[he]04

Holodomor

[he]04
image description
[be]02

Budynok “Slovo” (The Slovo Building, or "The Word")

[be]02
image description
[ef]25
Н

Falz-Fein and his “Askania Nova”

[ef]25
image description
[ер]21

1991 Ukrainian Independence Referendum

[ер]21
image description
[el]16

Lisova Pisnia (The Forest Song)

[el]16
image description
[he]04

Holodomor

[he]04
image description
[yu]32

Yuzivka

[yu]32
image description
[ze]10

Zaporizka Sich (The Zaporizhian Host)

[ze]10
image description
[de]06
Д

Danylo Halytskyi

[de]06
image description
[be]02

Budynok “Slovo” (The Slovo Building, or "The Word")

[be]02
image description
[і]12

Ivan Franko

[і]12
image description
[ve]03

Volia — collective concept, most often translated as Freedom

[ve]03
image description
Telegraf.Design

Медіа про дизайн, креатив і тех індустрії

[u]24
У

Ukrainski sichovi striltsi (The Ukrainian Sich Riflemen, or the USS)

[u]24
image description
[che]28

Chornobyl Disaster

[che]28
image description
[е]07
Е

Aeneid by Ivan Kotliarevsky

[е]07
image description
[ka]15

Crimean Tatars, Karaites and Krymchaks (qırımlılar, qaraylar)

[ka]15
image description
[ер]21

1991 Ukrainian Independence Referendum

[ер]21
image description
[he]04

Holodomor

[he]04
image description
[ka]15

Crimean Tatars, Karaites and Krymchaks (qırımlılar, qaraylar)

[ka]15
image description
[yi]13

Yizhak protytankovyi (Czech hedgehog)

[yi]13
image description
[ze]10

Zaporizka Sich (The Zaporizhian Host)

[ze]10
image description
[pe]20

“Plyve kacha po Tysyni...” (“Swims the duckling, on the Tysa...”)

[pe]20
image description
[ye]08

Peresopnytske Yevanheliie (The Peresopnytsia Gospel)

[ye]08
image description
[і]12

Ivan Franko

[і]12
image description
[ye]08

Peresopnytske Yevanheliie (The Peresopnytsia Gospel)

[ye]08
image description
[ze]10

Zaporizka Sich (The Zaporizhian Host)

[ze]10
image description
[pe]20

“Plyve kacha po Tysyni...” (“Swims the duckling, on the Tysa...”)

[pe]20
image description
©2024 All rights reservedDesigned by Obys
06/33
Almaz (Bold)
Write your text

Designers:

Serhii Makarenko

(Tapeface designer)

«My name is Serhiy, but everyone calls me Makar. This is our family tradition because everyone I know also called my father Makar. And so it took root. In general, I have been in design for ten years, at first I did what everyone else did: logos/posters/visuals for social networks. Over time, I realized that my works have nothing unique — photos from the stock, illustrations from the same, and fonts at best from the Google library. In a word, boring. I began to think that I could customize and decide - it will be letters because the design without a photo/illustration exists, but without letters, it is already more difficult.

I watched the lectures of the Projector Library and when I saw the lecture of Kyrylo Tkachov, I realized that is my passion! And rushed to the font intensive to him».
 

Kyrylo Tkachov

Kyrylo has been engaged in graphic design for more than 20 years, and he started making the first fonts in 2006.
«I just noticed at some point that working with text, designing letters, and developing a system of symbols is extremely interesting. So, that’s what I’ve been doing».

About the Typeface:

And yes, it all started on January 3, 2019, at Kyril's intensive. It was precisely the time when Ukrainian cities received identities one by one, including official fonts: Dnipro, Mariupol, later Vinnytsia and Kyiv. As a resident of Poltava, of course I wanted to too. And here's the question, okay, I'm making a Poltava font, but what kind of Poltava is it, what should it be about? With this question, I went to the field (including the Battle of Poltava) and the concept of my understanding of Poltava was formed - on the one hand, it is a historical city, a Cossack fortress, but on the other - a monument from which the Russian Empire began, a city that has preserved its historicity , but mixed this historicity with imperial narratives and other scoop. The main idea emerged from these opposites - we make a modern geometric grotesque, but add historicity to it and see what will come of it.

The name is simpler - "Almaz", it is now a defunct cinema near the diamond factory in Poltava. There I spent my childhood playing consoles, there the older boys took money from me. It was demolished, childhood ended, but at least a part of the name remained. By the way, the sign of this plant became one of the references when Kirill and I were looking for a typeface.

If we talk about hidden symbolism, Easter eggs or allusions, then my answer: Two buckets! For example, № has the "Narbutian" N, the form @ I looked in Berdyansk on the wall written by the hand of some baryga (drugs are the fiercest evil), or an unusual sign of the hryvnia with a reference to the pre-Petrov thousands sign (҂), which I was inspired by Andriy Shevchenko. In a word, Kirill and I experimented as much as we could, rejecting the most radical variations, but a lot remained - for example, a super unusual Cyrillic script inspired by pre-Peter forms. It is so unusual that with the beginning of a full-scale war, it was necessary to bury the letter - earth - in a stylistic set and draw an ordinary form. Or how about experimenting with different shapes for uppercase and lowercase letters? In a word, I won't spoil everything, because the font turned out to be one huge Easter egg by itself - look for it, black-brows)

At first, I used his font on my own and it turned out to be something super decorative. Then I went to Berdyansk for a font intensive with Andriy Shevchenko and the font softened a little, but it was still curly. After returning, Kirill offered to do it based on the fact that I already had a normal commercial headset - well, I'm not a fool to refuse such an offer)

During work, we both learned, I - to make fonts in general, and Kyrylo - to make fonts in the new software, because halfway through we replaced FL5 with FL7, it's like changing from a tricycle to a car without stopping moving. In general, the whole journey took about seven or eight months, maybe a year)

How to use the typeface - tips from the creator:

I like to be surprised by the use of Almazyk, so there will be no advice. I would like to see him in Poltava more often, but that's the way it is.

Trivia facts about the typeface creator:

Nothing to brag about here, but I am a member of the Union of Writers of Ukraine. This definitely had an impact, because I always have a book with me and read even in public transport. This means the letters are always in front of the eyes. Yes, even after so many years. Always.

Almaz (Bold)